Episode
130: A Double Fugue & A Second Manuscript
- Podcast
- WTF Bach
- Published
- Apr 14, 2026
- Duration seconds
- 3349
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Summary
Remember this image from the E-flat Major Prelude and Fugue epsiode, where Bach puts a double fugue at the half within the half ? Bach does it once more in today’s episode. We’ve arrived at the other double fugue in this collection, BWV 864 in A major. Bach begins the prelude by juggling three ideas: The ordering of these ideas will switch. A few bars later we see the same three ideas shifted around: Bach presents the same ideas a total of six times in the prelude. Whereas we logicians would love to see all six combinations (ABC, ACB, BAC, BCA, CBA, CAB,) Bach gives us four of the possible orderings. The final one with the syncopation on bottom is particularly nice: Feed the Contrapunctus: Now the fugue: This is the correction I got all excited about. This is from Anna Magdalena’s copy (called the Müller Manuscript ) where we clearly see a revision that may improve on P 415. Look closely at the note which is whited out, this is the G-sharp that is found in Bach’s autograph, here, corrected to an E. After playing this measure as we know it, I can’t help but feel that this little gem hidden within Anna Magdalena’s copy reflects the latest thinking of the composer. You can view the Müller Manuscript here: https://www.bach-digital.de/receive/BachDigitalSource_source_00001076 Interesting how the shapes in the first of the subjects in the double fugues of The Well-Tempered Clavier have similar rising perfect fourths: Similar shapes in the E-flat major pair: And finally, here is the charming work of the young WF, copying out one of his father’s cantatas at a young age. See the little attempt at making a mirror monogram, WFB? Wonderful! Schweitzer beautifully recounts this scene. We Rely Exclusively on Paid Substack Subscriptions! Help WTF Bach endure: We encourage our listene…