Episode

TLDR Hatshepsut's Mortuary Temple

Podcast
Who Arted: Weekly Art History for All Ages
Published
Jun 22, 2026
Duration seconds
951
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Summary

Queen Hatshepsut reigned as the fifth pharaoh of the Eighteenth Dynasty during Egypt’s New Kingdom period. Initially occupying the traditional role of queen consort to her half-brother Thutmose II, she assumed the regency for her infant stepson, Thutmose III, following her husband's death around 1479 BCE. By the seventh year of her regency, she broke with Egyptian tradition by officially crowning herself pharaoh and establishing a co-regency that lasted for two decades. To legitimize her authority within a political theology historically tied to male deities and the preservation of cosmic order (ma'at), Hatshepsut utilized art as a powerful tool of political propaganda. She commissioned hundreds of statues depicting her with masculine physical traits including a muscular torso, traditional royal kilt, and ceremonial false beard, while intentionally maintaining feminine titles, pronouns, and grammatical endings in accompanying written inscriptions. Her reign prioritized domestic stability, international trade revitalization, and an extensive monumental building campaign over military expansion. The crowning achievement of her building campaign is her mortuary temple, Djeser-Djeseru ("Holy of Holies"), located on the west bank of the Nile River across from the ancient religious capital of Thebes. Designed by her chief architect and closest advisor, Senenmut, this multi-tiered complex rises 80 feet high and features three broad, stacked terraces connected by central ramps that integrate seamlessly into the surrounding limestone cliffs. The temple walls are adorned with detailed relief carvings documenting her divine birth narrative which claimed she was the biological daughter of the supreme god Amun-Re, as well as her famous Year 9 maritime expedition to the Land of Punt…