Episode

[Vininspo! Alt. Format] Louis Michel Chablis

Podcast
Vininspo! podcast
Published
Apr 17, 2026
Duration seconds
3072
Processing state
not_requested
Canonical source
https://edmerrison.substack.com/p/vininspo-alt-format-louis-michel
Audio
https://api.substack.com/feed/podcast/194282596/47eb9953a7ba2af9557a1239475f7b56.mp3
JSON
/v1/public/podcasts/vininspo-podcast-7294502/episodes/vininspo-alt-format-louis-michel-chablis
Markdown
/podcast/vininspo-podcast-7294502/vininspo-alt-format-louis-michel-chablis.md

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Summary

The best way to enjoy this episode is to watch the video, which comes complete with subtitles, maps and other visuals. I urge you to watch it; you'll find it at edmerrison.substack.com . Don't forget to follow along with happenings on Instagram, too: @vininspo.wine So, when Bryan Adams was getting his first real six-string, Guillaume Michel’s grandfather Louis was kissing goodbye to his last oak barrel. Two pivotal moments during the summer of ‘69 right there; one led to a cheesy soft-rock catalogue, the other to a library of flinty, pure Chardonnay. I know which repertoire I prefer. This domaine in the heart of the village of Chablis is a reference point. “Those who favour stainless steel want the purest flavour of Chablis, with the firm streak of acidity and the mineral quality that the French describe as goût de pierre à fusil , or gunflint,” goes the entry in the Oxford Companion to Wine, before declaring: “Louis Michel’s is generally considered to be the epitome of this style.” I’ve known its current custodian, Guillaume, for over a decade and work for his Australian importer, CellarHand. His good humour, exceptional English and incredible vineyard holdings in the historic heart of the appellation convinced me that he is the ideal guest for an in-depth discussion of the lie of the land and the wines it produces. The purpose of this 45-minute video is to start with the historical and geographical basics—climate, topography, geology, etc.—and delve deeper into the subtleties of terroir and how to mitigate challenges to maximise its expression in the glass. Much of this is objective, some is subjective, but I hope it is all, somehow, instructive, adding to a listener’s understanding and, crucially, enjoyment. Guillaume sprinkles the domaine’s specifics through our co…