Episode

Special Report: Dear Upstairs Neighbors (2026)

Podcast
The Projection Booth
Published
Jun 23, 2026
Duration seconds
1185
Processing state
not_requested
Canonical source
https://www.spreaker.com/episode/special-report-dear-upstairs-neighbors-2026--72641630
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https://dts.podtrac.com/redirect.mp3/https://op3.dev/e/api.spreaker.com/download/episode/72641630/epx718_dear_upstairs_neighbors.mp3
JSON
/v1/public/podcasts/the-projection-booth-407558/episodes/special-report-dear-upstairs-neighbors-2026
Markdown
/podcast/the-projection-booth-407558/special-report-dear-upstairs-neighbors-2026.md

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Summary

Editor Sarah Affleck pulls back the curtain on one of filmmaking's most invisible—and essential—arts. From cutting reality television to shaping animated features at LAIKA and Pixar, Affleck traces her journey through the editing room while explaining why animation offers creative possibilities unlike any other medium. The conversation dives into her work on the acclaimed animated short Dear Upstairs Neighbors, exploring its painterly visual style, frantic creative energy, and the year-and-a-half process of transforming storyboards into a finished film. Along the way, Affleck discusses her love of Adobe Premiere, the unique relationship between editor and director, her unexpected stint editing The Brain That Wouldn't Die, and the challenge of finding the perfect comedic and emotional beats. She also reflects on the film's sold-out premiere at Tribeca, the painstaking craft behind every minute of animation, and her upcoming directorial project, Nurture. It's a fascinating look at storytelling from the perspective of the person who helps every film find its rhythm, voice, and soul. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support . Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth