Episode

Daniel Pemberton

Podcast
The Film Scorer
Published
Aug 17, 2025
Duration seconds
1900
Processing state
not_requested
Canonical source
https://thefilmscorer.podbean.com/e/daniel-pemberton/
Audio
https://mcdn.podbean.com/mf/web/i8ydr6brw684n5f8/DP-FINAL.mp3
JSON
/v1/public/podcasts/the-film-scorer-2136414/episodes/daniel-pemberton
Markdown
/podcast/the-film-scorer-2136414/daniel-pemberton.md

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Summary

In a Film Scorer first, a repeat guest joins the show! Daniel Pemberton (the Spider-Verse films, King Arthur) comes onto the show for a second time, after chatting with me back in 2023 about his score for Spider-Man: Across The Spider-Verse. Even though we're just over halfway through the year, Daniel's already scored about a half dozen projects, so we had plenty of things to talk about. With so much to pick from, we primarily talk about his recent work on the Black Mirror episode USS Callister: Into Infinity and Eddington - two extremely different projects with very different scores. Of course, even though our chat clocks in at just under half an hour we cover plenty of other ground too, including trends in modern film scoring and a big detour into Anton Karas's score for The Third Man. Daniel's score for Eddington and Callister, and much of his other music, is available on all major platforms. Eddington is still playing in select theaters and is available on demand while Callister is available on Netflix. And if you haven't yet, be sure to check out our prior conversation here: https://thefilmscorer.com/an-interview-with-daniel-pemberton/