Episode
#1247 Zygmunt Baranski: Dante's Divine Comedy
- Podcast
- The Dissenter
- Published
- Apr 30, 2026
- Duration seconds
- 3902
- Processing state
not_requested
Actions
POST https://stenobird.com/v1/public/podcasts/the-dissenter-1161217/episodes/1247-zygmunt-baranski-dante-s-divine-comedy/transcription-requests
Idempotently request low-priority transcript generation for this episode.GET https://stenobird.com/podcast/the-dissenter-1161217/1247-zygmunt-baranski-dante-s-divine-comedy.md
Read the agent-friendly Markdown representation of this episode resource.
Summary
******Support the channel****** Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ******Follow me on****** Website: https://www.thedissenter.net/ The Dissenter Goodreads list: https://shorturl.at/7BMoB Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://x.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Zygmunt Baranski is Emeritus R. L. Canala Professor of Romance Languages and Literatures at the University of Notre Dame, and Serena Professor of Italian Emeritus at the University of Cambridge. Dr. Baranski has worked primarily on Dante, concentrating on Dante’s relationship to medieval literary theory and criticism and on his intellectual formation. In addition, he has published extensively on Dante’s reception in the fourteenth and twentieth centuries, on medieval Italian culture and literature (in particular, Cavalcanti, Petrarch, and Boccaccio), on modern Italian literature and culture, on Pasolini, on Italian cinema, and on Italo-Polish cultural relations. In this episode, we talk about Dante’s Divine Comedy. We start by discussing the original title. We talk about the progression through hell, purgatory, and paradise. We discuss the roles of Virgil and Beatrice. We talk about the place of Dante in the history of Western literature. Finally, we discuss why an atheist would like The Divine Comedy. -- A HUGE THANK YOU TO MY PATRONS/…