Episode

Making the Film 'Palestine 36' (w/ director Annemarie Jacir) | The Chris Hedges Report

Podcast
The Chris Hedges Report
Published
Mar 30, 2026
Duration seconds
2129
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https://chrishedges.podbean.com/e/making-the-film-palestine-36-w-director-annemarie-jacir-the-chris-hedges-report/
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https://mcdn.podbean.com/mf/web/hwk88ub5bzis7kbi/CHR_3-20-26_Annemarie_Jacirbl8f7.mp3
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Summary

In filmmaker Annemarie Jacir’s new film, Palestine 36, one of the most pivotal moments in Palestine’s history is brought to life for the first time through cinema. In this episode of The Chris Hedges Report, host Chris Hedges speaks with Jacir about the 1936–39 Palestinian uprising against British colonial rule — a mass revolt that laid the groundwork for the modern Palestinian struggle, and also the crushing of Palestine’s organizational infrastructure that culminated into the founding of the Zionist state a decade later. Jacir explains that this period represents “the beginning of the national movement for liberation in Palestine,” emphasizing its scale and significance as “the first really mass uprising” that spread from “countryside to city” and “across classes.” For her, revisiting this moment is essential to understanding everything that followed, as “it sets up everything for the Nakba in 1948 and the loss of Palestine.” Jacir explains how her film reconstructs not only the revolt itself but also the conditions that shaped it—British colonialism, offensive attacks on Palestinian labor, and the exploitation of the Palestinian elite’s fractured nature and ambitions for power. In her research, Jacir says she was struck by the extent of that brutality, noting, “I was really… surprised… I’d never really heard about that under the British,” only to later uncover detailed accounts in archival records, including testimonies from British soldiers themselves. In fact, “it’s the blueprint of military occupation that we live today,” she says. But Jacir frames Palestine 36 as more than a historical drama. It is, she says, about “a moment of real possibility” and the moral choices faced by those living under oppression. Even during production—disrupted by the war in Gaza—the…