Episode

Director David Lowery on How 'The Red Shoes,' Taylor Swift, and Artistic Internal Struggles Were Forged to Conjure Up 'Mother Mary' [AUDIO INTERVIEW]

Podcast
The AwardsWatch Podcast
Published
Apr 15, 2026
Duration seconds
1191
Processing state
processed
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https://awardswatchpodcasts.libsyn.com/director-david-lowery-on-how-the-red-shoes-taylor-swift-and-artistic-internal-struggles-were-forged-to-conjure-up-mother-mary-audio-interview
Audio
https://dts.podtrac.com/redirect.mp3/traffic.libsyn.com/secure/awardswatchpodcasts/David_Lowery_Interview_With_Music_Intro_Outro.mp3?dest-id=150334
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Summary

Back in 2021 I proclaimed in my review of The Green Knight that writer-director David Lowery was "the great American director of his generation;" a statement that holds even stronger weight given the rising talent behind the camera in modern filmmaking. With his latest film, Mother Mary , Lowery gives this writer enough ammunition to back up that proclamation as he's created yet another bold, poppy, hypnotic drama that could only come from the mind of a special, singular talent; a master of the artform. Born in Milwaukee, Wisconsin as the eldest of nine children, Lowery and his family moved to Texas in his youth, and where he and his family still reside today. His curiosity for film sprung at a young age, with the director making his first short when he was nineteen years old, and from there on, a slew of independent narrative feature films that included Deadroom, It Was Great, But I Was Ready to Come Home , and St. Nick . His breakthrough came within a two-year span, with his short film Pioneer winning the Competition and Grand Jury Award at the South by Southwest Film Festival, which lead to the release of his 2013 romantic crime drama, Ain't Them Bodies Saints, which was nominated for the Sundance Film Festival Grand Jury Prize and garnered a Best Feature nominated at the Gotham Awards that same year. Those two projects were a springboard for Lowery into the public consciousness, as he was given bigger opportunities to explore his complex themes of humanity that lies at the core of his filmography. In 2016, he delivered the best Disney live-action adaptation yet with version of Pete's Dragon , followed up the next year the smaller, intimate yet profound meditation of the loss of someone and letting go as we enter the afterlife with A Ghost Story , and finishing this…