Episode

Sound Perimeter: Listening for a Change

Podcast: Sound Perimeter
Published: Feb 18, 2026
Duration seconds: 699
Processing state: not_requested
Canonical source: https://play.prx.org/listen?ge=prx_5439_5cca3261-af52-4d42-b829-b636a3d876ea&uf=https%3A%2F%2Fpublicfeeds.net%2Ff%2F5439%2Ffeed-rss.xml
Audio: https://dovetail.prxu.org/5439/5cca3261-af52-4d42-b829-b636a3d876ea/20260216_sp.mp3
JSON: /v1/public/podcasts/sound-perimeter-4510315/episodes/sound-perimeter-listening-for-a-change
Markdown: /podcast/sound-perimeter-4510315/sound-perimeter-listening-for-a-change.md

Actions

POST https://stenobird.com/v1/public/podcasts/sound-perimeter-4510315/episodes/sound-perimeter-listening-for-a-change/transcription-requests
Idempotently request low-priority transcript generation for this episode.
GET https://stenobird.com/podcast/sound-perimeter-4510315/sound-perimeter-listening-for-a-change.md
Read the agent-friendly Markdown representation of this episode resource.

Summary

Today's Sound Perimeter explores change, how it happens inside the music and around it. We begin with Philip Glass's Metamorphosis I, where repeating patterns shift so gradually you almost don't notice until the whole atmosphere feels different. Performed by pianist Lisa Moore . Then we turn to Terri Lyne Carrington and a spacious performance of her piece "Unconditional Love." Terri Lyne Carrington has carried her own kind of transformation by the way she leads offstage at the Berklee Institute of Jazz and Gender Justice, imagining a jazz world that's more inclusive and more equitable.