Episode
ENCORE PRESENTATION: 'LOST ANGEL: THE GENIUS OF JUDEE SILL' w/ Jason P. Woodbury, Brian Lindstrom & Andy Brown
- Podcast
- REVOLUTIONS PER MOVIE
- Published
- Jun 25, 2026
- Duration seconds
- 3882
- Processing state
not_requested- Canonical source
- https://shows.acast.com/revolutionspermovie/episodes/encore-presentation-lost-angel-the-genius-of-judee-sill2
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Summary
Welcome to this ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vaults. Today, we pay tribute to filmmaker Brian Lindstrom, who sadly passed away recently, with this incredible discussion about the film he co-directed, LOST ANGEL: THE GENIUS OF JUDEE SILL, with his co-director Andy Brown & Aquarium Drunkard's Jason P. Woodbury. Anyone who had the pleasure of knowing or working with Brian will tell you he was one of the kindest, wisest, and big-hearted people ever, and his filmmaking absolutely reflected that. If you haven't seen his films Lost Angel, Mothering Inside, or Alien Boy yet, please take the time to spend with these incredibly powerful films. He will be missed. (Episode 39 originally aired on June 6th, 2024). This week, I’m joined by JASON P. WOODBURY (of Aquarium Drunkard) and filmmakers BRIAN LINDSTROM & ANDY BROWN to discuss their incredible new film LOST ANGEL: THE GENIUS OF JUDEE SILL . We talked about Judee Sill’s gnostic relationship to her music and how she backed it up in her lifestyle, what our introductions to her music were like, Sill’s disdain of being lumped in with Christian Rock & opening for rock bands, her influence on Andy Partridge of XTC, how the filmmakers shaped the film over the past ten years, Tooth & Nail Records, the mythologizing of a subject’s life in documentary filmmaking, Asylum Records and her ups and downs with David Geffen, Some Kind Of Monster , Sill’s vulnerability and ego in her diary writings and drawings, how they chose to animate Sill’s artwork and found her voice, Sill’s influence on a new generation of musicians, her iconic Old Grey Whistle Test performance of “The Kiss,” how the film addresses childhood trauma, addiction, and resilience, what parts of Sill’s life didn’t fit int…