Episode
S9E27 Kigo, Kireji and what else makes a haiku a haiku?
- Published
- Jul 13, 2026
- Duration seconds
- 2388
- Processing state
not_requested
Actions
POST https://stenobird.com/v1/public/podcasts/poetry-pea-haiku-and-other-english-language-japanese-short-forms-204386/episodes/s9e27-kigo-kireji-and-what-else-makes-a-haiku-a-haiku/transcription-requests
Idempotently request low-priority transcript generation for this episode.GET https://stenobird.com/podcast/poetry-pea-haiku-and-other-english-language-japanese-short-forms-204386/s9e27-kigo-kireji-and-what-else-makes-a-haiku-a-haiku.md
Read the agent-friendly Markdown representation of this episode resource.
Summary
What makes a haiku a haiku ? Is there really a difference between traditional and contemporary haiku, or have we complicated something that was once quite simple? In this episode of the Poetry Peacast, Patricia explores the essential elements of the Japanese haiku tradition, discussing the must haves of haiku. Drawing on the work of Haruo Shirane, William J. Higginson, Michael Dylan Welch and Robert D. Wilson, she examines why seasonality matters, how the cut creates resonance, and why these techniques continue to give haiku their unique emotional power. Along the way, Patricia analyses poems by Buson, Bashō, Den Sutejo, Katayama Yumiko, Don Baird, Neena Singh, Meera Rehm, Bruce H. Feingold and Bisshie, sharing practical insights that will help you read and write stronger haiku. Whether you're new to haiku or a long-time practitioner, this thoughtful discussion invites you to reconsider what truly defines the genre. In this episode: What kigo really contributes to a haiku The purpose of the kireji, or cut Why sensory imagery matters Close readings of classic and modern haiku Practical inspiration for your own writing Subscribe to the Poetry Peacast for weekly episodes exploring haiku, senryū, tanka, haibun and the craft of Japanese short-form poetry. Support the podcast show notes