Episode

will PADDINGTON work on Broadway? | thoughts on the success of the hit West End Musical's transfer

Podcast
MickeyJoTheatre
Published
Jun 18, 2026
Duration seconds
1691
Processing state
not_requested
Canonical source
https://shows.acast.com/mickeyjotheatre/episodes/6a33b493c17f3028762c19f8
Audio
https://sphinx.acast.com/p/open/s/6859c85ac95a56eb6a774829/e/6a33b493c17f3028762c19f8/media.mp3
JSON
/v1/public/podcasts/mickeyjotheatre-6907341/episodes/will-paddington-work-on-broadway-thoughts-on-the-success-of-the-hit-west-end-musical-s-transfer
Markdown
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Summary

It was announced yesterday that PADDINGTON The Musical, the multi-Olivier Award winning West End smash hit, would officially transfer to Broadway, opening at the Al Hirschfeld Theatre in Spring 2027. The stage adaptation of the Michael Bond story and the STUDIOCANAL films is directed by Luke Sheppard (The Little Big Things, Starlight Express) with Tom Fletcher and Jessica Swale having written the score and book respectively. The West End production stars Arti Shah and James Hameed, who jointly perform the role of Paddington Bear, with a supporting cast including Adrian Der Gregorian, Amy Ellen Richardson, Victoria Hamilton-Barritt, Bonnie Langford, Tom Edden, Brenda Edwards, Amy Booth-Steel, Teddy Kempner, and more. As the New York transfer is announced, theatre fans have been quick to question whether Broadway's audiences will receive Paddington as warmly as London's did, prompting some consideration of the show's potential success at the box office and the Tony Awards... check out Mickey-Jo's free substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:47 | the Broadway details 11:31 | who will be in it? 15:13 | could it win the Tony? 24:55 | will it be a hit? About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing,…