Episode

Lost Women of Science Conversations: Rosalind - The Opera

Podcast
Lost Women of Science
Published
Nov 6, 2025
Duration seconds
1775
Processing state
not_requested
Canonical source
https://play.prx.org/listen?ge=prx_413_8b4ab310-3159-4761-a3f4-1eab6883601f&uf=https%3A%2F%2Ffeed.lostwomenofscience.org
Audio
https://dts.podtrac.com/redirect.mp3/tracking.swap.fm/track/sblTq32fyWAjsHzze2LG/dovetail.prxu.org/_/413/8b4ab310-3159-4761-a3f4-1eab6883601f/LWIS_Rosalind_Franklin_Part_1_Master.mp3
JSON
/v1/public/podcasts/lost-women-of-science-4474223/episodes/lost-women-of-science-conversations-rosalind-the-opera
Markdown
/podcast/lost-women-of-science-4474223/lost-women-of-science-conversations-rosalind-the-opera.md

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Summary

Composer Peter Hugh White and librettist Clare Heath join host Rosie Millard in front of a London audience to explore why the story of chemist and x-ray crystallographer Rosalind Franklin and the race to uncover the structure of DNA makes such a compelling subject for an opera. We hear excerpts that capture the contrasting personalities at the centre of this scientific drama — James Watson , the brash young researcher at the University of Cambridge; Francis Crick , his more measured collaborator; and Maurice Wilkins , an anxious biophysicist uneasy about being outshone by his brilliant colleague, Franklin. It’s a story of ambition, rivalry, and betrayal: Franklin’s departure from King’s College London and the subsequent publication of the double helix model by Watson and Crick, which was built on insights from her work — yet without giving her due recognition. Learn about your ad choices: dovetail.prx.org/ad-choices