Episode
The Sin Is White Supremacy: a Theological Encounter with the Film “Sinners"
- Podcast
- Homebrewed Christianity
- Published
- Mar 20, 2026
- Duration seconds
- 4657
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Summary
What is the sin in Sinners? — and then four of the most brilliant theologians working today spent an hour doing what great theologians do: they cracked the whole thing open. Set in 1932 Mississippi and layered with blues, hoodoo, vampires, and Black survival, Ryan Coogler's film turns out to be a theological event, and this conversation treats it like one. Adam Clark names white supremacy as the film's central sin — parasitic, predatory, embodied in white vampires who can only survive by consuming Black vitality. Kelly Brown Douglas traces the deep dialectic between the blues and the Black church, and how the juke joint functions as a kind of invisible institution keeping Black faith alive from the underside. Juan Floyd-Thomas goes deep on conjure, Papa Legba, and why Sammy at the crossroads isn't just a blues musician but a gateway between the living and the dead. And Stacey Floyd-Thomas brings the womanist lens that names what the film itself only partially names: the women are the most spiritually powerful figures in the story, and they pay the highest price. By the end, someone looks around the room and says what a lot of us were thinking — Theology Beer Camp is a hush harbor. This is one of the most popular sessions from camp this year, and after you listen, you'll understand why. Join 600+ Listeners, 30 theologians, & 30 God-Pods at Theology Beer Camp 2026 this October 8-10 in Kansas City! Panel Members Kelly Brown Douglas is Visiting Professor of Theology at Harvard Divinity School and Canon Theologian at Washington National Cathedral. Juan Floyd-Thomas is Associate Professor of African American Religious History at Vanderbilt Divinity School, where he teaches Black religion, race, religion, and film. Stacey Floyd-Thomas is the Carpenter Professor of Ethics and…