Episode

Sennentuntschi

Podcast
FolknHell
Published
Aug 28, 2025
Duration seconds
2377
Processing state
not_requested
Canonical source
https://folknhell.com
Audio
https://sphinx.acast.com/p/open/s/686d2a6a37e3cb9d349cb1d7/e/68a31eb1e19a4396a0a5f7ea/media.mp3
JSON
/v1/public/podcasts/folknhell-7405500/episodes/sennentuntschi
Markdown
/podcast/folknhell-7405500/sennentuntschi.md

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Summary

This week the FolknHell trio trek into the Swiss Alps with Sennentuntschi (2010) , Michael Steiner’s strange and unsettling take on an Alpine legend. The story begins with three isolated goatherds who, in a drunken haze of absinthe, fashion a woman out of broomsticks, rags, and paint. To their horror and ours, she comes to life. What follows is not a fairy tale but a grim spiral of abuse, revenge, and a blurred line between folklore and crime thriller. Andy, Dave, and David wrestle with the film’s slippery timeline that lurches between 1975 and the present day without warning. The result is confusion, compounded by technical slip-ups like modern fences in period scenes, a policeman dressed like he raided C&A, and a soundtrack that veers wildly from orchestral bombast to Serge Gainsbourg and ropey T-Rex covers. The trio dissect the dual narrative at the film’s heart: on one hand, the folkloric myth of the Sennentuntschi, a woman conjured to serve and then destroy men; on the other, a grim true crime tale of a corrupt priest, a hidden dungeon, and an illegitimate daughter seeking revenge. It is a story so densely packed with contradictions and abrupt shifts that the three hosts spend more time piecing it together than the filmmakers seemingly did. Is it folk horror? Andy argues that the grotesque finale, with skinned bodies and straw-filled effigies, tips it into the supernatural. Dave and David counter that beneath the Alpine trappings lies only a muddled crime drama dressed in folk horror fancy dress. Whatever the answer, all agree the film lacks the uncanny atmosphere and creeping sense of isolation that make the best folk horror so effective. The trio break from their usual format and score the film on three fronts; enjoyment, construction, and horror effectivene…