Episode

equanimity's full range

Podcast
Earth Dreams: Zen Buddhism and the Soul of the World
Published
Jun 26, 2026
Duration seconds
1832
Processing state
not_requested
Canonical source
https://amykisei.substack.com/p/equanimity-emptiness-and-emotions
Audio
https://api.substack.com/feed/podcast/203546336/068855d31fb6b9be72af543fcee8063f.mp3
JSON
/v1/public/podcasts/earth-dreams-zen-buddhism-and-the-soul-of-the-world-6415534/episodes/equanimity-s-full-range
Markdown
/podcast/earth-dreams-zen-buddhism-and-the-soul-of-the-world-6415534/equanimity-s-full-range.md

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Summary

Greetings Friends, I have been reflecting on the art of living a life of attention and intention. This is an art form I have dedicated much of my life to, and one that continues to bear fruit as I continue to practice it. What is the art of living? How is attention an art? Last night I was walking home with my partner from meditation, it was dusk. The fire flies had just started to flutter about, offering their pulsating flashes of illumination. The air was warm, a gentle breeze. We took the “longer” route, through residential roads where cone flowers, milk weed, bee balm, lilies and zinnia are brimming and blooming in hell strips and front yards. My body felt satisfied. My heart was full. Appreciation stirred in my cells. As the world darkened and the moon beamed brighter. The art of attention opens us to the magic and mystery of this world we live in, this life that we inhabit. Without thinking about it, we experience a life-world-self that is interconnected, emergent, alive. The art of attention also allows us to actually experience our lives, to let things flow, change. To feel the processes that move through us, to notice when we are hooked into a limiting belief or narrative about ourselves and the world. To notice when we are shutting down a particular feeling or emotion. the art of feeling our lives This past Monday during our live online meditation group we read from the Hidden Lamp Case 23: Jiao-an’s Sand in the Eye. In it Jiao-an is told by her teacher Yuanwu, that she must, “erase all views” and then she “will finally be free.” Jiao-an responds to this in a verse: the pillar pulls out a bone sideways; the void shows its claws and fangs; even if one profoundly understands, there is still sand in the eye. In her commentary to the koan, Zenki Mary Mocine Roshi…