Episode

Echo & The Bunnymen: The Album That Broke Echo & The Bunnymen

Podcast
Crossed Channels with Tony Fletcher and Dan Epstein
Published
Jun 11, 2026
Duration seconds
878
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https://tonyfletcher.substack.com/p/echo-and-the-bunnymen-the-album-that
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Summary

This is a free preview of a paid episode. To hear more, visit tonyfletcher.substack.com Welcome back to the CROSSED CHANNELS podcast — the podcast in which music journalists/obsessives Dan Epstein (the Yank) and Tony Fletcher (the Limey) clash and connect over music from either side of the pond. In this 29th episode we discuss not one of the first four classic albums by Liverpool legends Echo & The Bunnymen, but the troubled, eponymous fifth album. Tony actually witnessed the record’s long gestation in person while writing the band’s authorized 1987 biography Never Stop: The Echo & The Bunnymen Story , which makes Echo & The Bunnymen the first album to be featured on CROSSED CHANNELS that one of us was in the studio for. It is also perfect subject matter for Crossed Channels as it’s an album made by a British band in a British studio but with an American audience very much in mind. Since he was present for its recording — both in subsequently-abandoned form in Liverpool with producer Gil Norton, as well as in London with eventual producer Laurie Latham - and given that he traveled with the band on their subsequent 1988 US tour for SPIN magazine, Tony has quite a bit of insider information to share during this episode. Some of it is explosive, and much of it will be new to Bunnymen fans, so this episode should be well worth the price of admission! Released in July 1987, three years after the jaw-droppingly brilliant Ocean Rain, and nearly two years after the Latham-produced single “Bring On The Dancing Horses” signified a change in musical approach (and landed on the platinum Pretty In Pink soundtrack), Echo & The Bunnymen was the band’s most commercially successful release in the US, where the single “Lips Like Sugar” was a significant radio and dancefloor hit. In the…