Episode
Harbison goes Baroque
- Podcast
- Composers Datebook
- Published
- Jun 14, 2026
- Duration seconds
- 120
- Processing state
not_requested
Actions
POST https://stenobird.com/v1/public/podcasts/composers-datebook-550176/episodes/harbison-goes-baroque/transcription-requests
Idempotently request low-priority transcript generation for this episode.GET https://stenobird.com/podcast/composers-datebook-550176/harbison-goes-baroque.md
Read the agent-friendly Markdown representation of this episode resource.
Summary
Synopsis A now-obscure Englishman named Charles Caleb Colton is credited with the famous adage that "imitation is the sincerest form of flattery.” On today’s date in 1985, Concerto for Oboe, Clarinet and Strings, a new work by American composer John Harbison premiered in Sarasota, Florida, that imitated the form and gestures of the Baroque Concerto Grossos written by Bach or Handel. Harbison described it as follows: “The oboe, clarinet and strings are equal partners. The first movement is declamatory, the second contemplative, and the last frenetic. Each movement sustains one affect [or mood], in the Baroque manner … The steady insistent rhythms are indeed baroque, the harmonies less so. One astute writer referred to the piece as ‘scenes from a marriage.’ This metaphorical marriage between solo winds and strings contains quarrels, precarious balances, comic relief, misunderstandings and eventual unanimity.” And, speaking of marriage, Harbison composed the work at Token Creek, in Wisconsin, an unincorporated community near Madison where his wife’s family had farmed since the 1920s and where for some 25 years each summer John and Rose Mary Harbison have organized their own mini-Festival of chamber music. Music Played in Today's Program John Harbison (b. 1938): Concerto for Oboe, Clarinet and Strings; Peggy Pearson, oboe; Jo-Ann Sternberg, clarinet; Metamorphosen Chamber Players; Scott Yoo, conductor; Archetype Records 60106