Episode

D’Angelo and the Power of Last Albums

Podcast
Cannonball with Wesley Morris
Published
Dec 4, 2025
Duration seconds
2814
Processing state
not_requested
Canonical source
http://www.nytimes.com/podcasts/still-processing
Audio
https://dts.podtrac.com/redirect.mp3/pdst.fm/e/pfx.vpixl.com/6qj4J/nyt.simplecastaudio.com/2893446d-8730-4532-8321-b81d2bb2b03b/episodes/20da5e85-ec9e-4341-9706-753054ccc7ed/audio/128/default.mp3?aid=rss_feed&awCollectionId=2893446d-8730-4532-8321-b81d2bb2b03b&awEpisodeId=20da5e85-ec9e-4341-9706-753054ccc7ed&feed=JJrAJ_VY
JSON
/v1/public/podcasts/cannonball-with-wesley-morris-800699/episodes/d-angelo-and-the-power-of-last-albums
Markdown
/podcast/cannonball-with-wesley-morris-800699/d-angelo-and-the-power-of-last-albums.md

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Summary

The world is different once an artist dies. The same goes for their music. Since D’Angelo’s death, Wesley keeps returning to “Black Messiah” — to him, a perfect final album. What makes an artist’s last record resonate with us long after they’re gone? Wesley invites his friend Alex Pappademas, a senior culture editor at GQ Magazine, to listen back to some last albums that have haunted them both. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.