Episode
32: Violeta Parra - Chile's Frida Kahlo? ➩ ➪ Parra's incredible visual work & life with Ericka Verba
- Published
- Jun 5, 2025
- Duration seconds
- 3618
- Processing state
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- http://linktr.ee/artslicepod
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Summary
ლ(o◡oლ) MAGIC MIND ლ(o◡oლ) helped fuel our noggins during the making of this episode -to give your brain some choice fuel, use ARTSLICEJUNE for 50% off your order HERE: ➩ ➪ ➩ ➪ https://magicmind.com/ARTSLICEJUNE Join our FREE algorithm-free newsletter for updates! ➩ ➪ ➩ ➪ https://artslicepod.substack.com/ We highly recommend watching this one if possible as Violeta Parra’s works are so breathtaking and impactful: ➩ ➪ ➩ ➪ https://youtu.be/g0vESB_nKvE This month, we dive into Violeta Parra’s (1917-1967) multifaceted legacy with her biographer, Ericka Verba. You can find Ericka’s book, “Thanks to Life” on her website: www.erickaverba.com as well as more Violeta Parra resources. Violeta’s artistic journey has many parallels to Frida Kahlo’s: both artists began painting while bedridden; drew from their personal experience with the folk arts of their country, Frida in Mexico and Violeta in Chile. They both lived and worked during a time when their respective countries were at a crossroads and made it their mission to capture the folk culture of their countries: Frida with a paint brush and Violeta through song, poem, painting and arpilleras (embroidery). And while most of us have only heard of Frida Kahlo, both artists achieved international fame in their lifetime and their legacies continue to this day. Violeta Parra became the first Latin American artist (period) to have a solo exhibition at the Louvre in Paris in 1964 at the Musée des Arts Décoratifs. And more recently, her arpilleras were featured in the 2022 Venice Biennale “Milk of Dreams” which also featured some Art Slice favorites like Leonora Carrington, Remedios Varo and Dorothea Tanning, to name a few. While she was putting her own twist on this traditional folk medium during her lifetime, arpilleras took on a mu…