# The Mastering Show # 91 - Mixing and mastering music for the movies with Alan Meyerson

Page: https://stenobird.com/podcast/the-mastering-show-1105611/the-mastering-show-91-mixing-and-mastering-music-for-the-movies-with-alan-meyerson
Text version: https://stenobird.com/podcast/the-mastering-show-1105611/the-mastering-show-91-mixing-and-mastering-music-for-the-movies-with-alan-meyerson.md
Podcast: [The Mastering Show](https://stenobird.com/podcast/the-mastering-show-1105611)
Published: 2023-12-19T22:44:14+00:00
Episode link: https://www.themasteringshow.com
Audio file: https://episodes.captivate.fm/episode/3e8d8699-0d15-40c2-90e1-393779838906.mp3
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JSON: https://stenobird.com/v1/public/podcasts/the-mastering-show-1105611/episodes/the-mastering-show-91-mixing-and-mastering-music-for-the-movies-with-alan-meyerson
Duration seconds: 3300

## Resource

It’s virtually impossible that you haven’t heard music of some kind mixed by Alan Meyerson by this point - he’s one of the most prolific and successful film score mixers in the business. And luckily for us, he’s also super-generous and open about the information he shares, including his perspectives on mixing and ‘mastering’ music for the movies. So in this episode we dig deep into all the details, including topics like: * Is there really such a thing as ‘mastering’ for film ? * What needs to be delivered, and what is the process ? * How loud does it need to be - are there any standards ? * When does Alan deliver mixes in Atmos, and why ? * How he uses the centre channel and surround channels * Why you might want to use saturation or pitch-shifting (!) in a movie score mix Show notes http://themasteringshow.com/episode-91

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## Transcript

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