# Story of Distinction & Genius: Laughter as a Compass & 'How to be a Stupid' with One of the World's Best Loved Clowns, Angela De Castro - know simply as De Castro - Founder of "The Why Not Institute"

Page: https://stenobird.com/podcast/the-good-listening-to-show-7699243/story-of-distinction-genius-laughter-as-a-compass-how-to-be-a-stupid-with-one-of-the-world-s-best-loved-clowns-angela-de-castro-know-simply-as-de-castro-founder-of-the-why-not-institute
Text version: https://stenobird.com/podcast/the-good-listening-to-show-7699243/story-of-distinction-genius-laughter-as-a-compass-how-to-be-a-stupid-with-one-of-the-world-s-best-loved-clowns-angela-de-castro-know-simply-as-de-castro-founder-of-the-why-not-institute.md
Podcast: [The Good Listening To Show](https://stenobird.com/podcast/the-good-listening-to-show-7699243)
Published: 2026-07-15T02:55:51+00:00
Episode link: https://www.brushwoodmedianetwork.com
Audio file: https://downloads.pod.co/2a2a659b-86ce-4b3d-af32-c6a031b51126/a66e8f4e-348a-4916-b8e8-26cbf6ea55e3.mp3
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Duration seconds: 3739

## Resource

Laughter can be a compass. Sitting with DeCastro—one of the world’s best-loved clowns—we step into Why Not Land, a clearing where play is protected, truth has room to breathe, and imagination outruns fear. From South London to Rio’s shoreline, she maps an art form often trivialised, arguing with warmth and precision that clowning is education, rebellion, and radical compassion all at once. We journey through the founding of the Why Not Institute, born after Slava’s Snowshow and sustained by a fierce belief that clowns are truth tellers, entertainers and subversives. The pandemic cost the Institute its physical home, but not its purpose: keep the archive alive, keep the training accessible, keep the doors open to every line of clowning—circus, theatre, street, musical, spiritual, and rebel. Along the way, DeCastro dismantles the lazy insult that calls selfish power “clowning.” Real clowns risk themselves to say what others cannot, with tenderness and wit. Her practice is anchored by “How to Be a Stupid,” a title that hides a serious proposition: the work is not technique first; it’s a state. Intensive training helps students unlearn perfectionism and step into a creative intelligence where failure is feedback and play is disciplined. We talk honour, friendship, and compassion; we talk samba beats that change your heartbeat; we talk Giulietta Masina, Wings of Desire, and painters whose generosity outlives them. There are trees with winter scarves, red motorbikes humming low through London, and bus rides where a stranger’s new phone becomes blue because a clown’s kindness tipped the scales. What remains is a living legacy. Students write years later from rehearsal rooms and boardrooms, now “stupid in charge” of their own brave choices. DeCastro wants the Institute’s next…

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