# Nina Oyama Page: https://stenobird.com/podcast/test-pattern-7716775/nina-oyama Text version: https://stenobird.com/podcast/test-pattern-7716775/nina-oyama.md Podcast: [Test Pattern](https://stenobird.com/podcast/test-pattern-7716775) Published: 2026-03-11T01:00:00+00:00 Episode link: https://shows.acast.com/test-pattern/episodes/69b082e6c36fc2d58b27df63 Audio file: https://sphinx.acast.com/p/open/s/6994ecf1c208b1a93139e348/e/69b082e6c36fc2d58b27df63/media.mp3 Processing state: not_requested JSON: https://stenobird.com/v1/public/podcasts/test-pattern-7716775/episodes/nina-oyama Duration seconds: 5437 ## Resource Nina Oyama — Australian comedian, writer and actor known for Utopia , Deadloch and Taskmaster Australia — joins Angus Truskett for a conversation about musical shame, when to walk out of a movie, and the films we watch when we want to cry. We get into: Entourage live shows, Nirvanna the Band the Show the Movie , watching films specifically to cry, becoming desensitised to Max Richter, Emerald Fennell making unsexy movies, being horny for Rum Tum Tugger, formative CollegeHumor sketches, Emma Roberts’ wedges, watching The Godfather in Tuscany, The Testament of Nina Oyama, smooth brain viewing, ignoring horror, writing vs acting, Ms. Fieldmouse can get it, The Gayest Showman , musical theatre shame, Deadloch season two, and Luke Hemsworth. Music by Gab Strum . Find Nina on Instagram and Letterboxd . @testpatternpresents Hosted on Acast. See acast.com/privacy for more information. ## Actions - request_transcript: `POST https://stenobird.com/v1/public/podcasts/test-pattern-7716775/episodes/nina-oyama/transcription-requests` — Idempotently request low-priority transcript generation for this episode. - read_markdown: `GET https://stenobird.com/podcast/test-pattern-7716775/nina-oyama.md` — Read the agent-friendly Markdown representation of this episode resource. A page view does not enqueue transcription. Agents should invoke `request_transcript` explicitly when they need this episode processed. ## Transcript Full transcripts are not published on public pages unless there is a clear rights basis.