# Beth Lipman: Tracking Deep Time and the Anthropocene through Still Life Assemblage Page: https://stenobird.com/podcast/talking-out-your-glass-podcast-558080/beth-lipman-tracking-deep-time-and-the-anthropocene-through-still-life-assemblage Text version: https://stenobird.com/podcast/talking-out-your-glass-podcast-558080/beth-lipman-tracking-deep-time-and-the-anthropocene-through-still-life-assemblage.md Podcast: [Talking Out Your Glass podcast](https://stenobird.com/podcast/talking-out-your-glass-podcast-558080) Published: 2025-07-16T23:18:14+00:00 Episode link: http://www.talkingoutyourglass.com Audio file: https://traffic.libsyn.com/secure/talkingoutyourglass/Beth_Lipman_-_71625_1.22PM.mp3?dest-id=356274 Processing state: not_requested JSON: https://stenobird.com/v1/public/podcasts/talking-out-your-glass-podcast-558080/episodes/beth-lipman-tracking-deep-time-and-the-anthropocene-through-still-life-assemblage Duration seconds: 4486 ## Resource Beth Lipman is an American artist whose sculptural practice generates from the Still Life genre, symbolically representing the splendor and excess of the Anthropocene and the stratigraphic layer humanity will leave on earth. Assemblages of inanimate objects and domestic interiors, inspired by private spaces and public collections, propose portraits of individuals, institutions, and societies. Through works in glass, wood, metal, photography, and video, Lipman presents a meditation on our relationship to Deep Time, a monumental time scale based on geologic events that minimizes human lives. Each installation is a reimagining of history, created by placing cycles often separated by millenia in proximity, from the ancient botanical to the cultural. The incorporation of prehistoric flora alludes to the impermanence of the present and the persistence of life. The ephemera of the Anthropocene becomes a symbol of fragility as the human species is placed on a continuum where time eradicates hierarchy. Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall(Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY). Lipman has received numerous awards including a USA Berman Bloch Fellowship, Pollock Krasner Grant, Virginia Groot Foundation Grant, and a Louis Comfort Tiffany Foundation Grant. She has been an Artist in Residence at the Alturas Foundation,… ## Actions - request_transcript: `POST https://stenobird.com/v1/public/podcasts/talking-out-your-glass-podcast-558080/episodes/beth-lipman-tracking-deep-time-and-the-anthropocene-through-still-life-assemblage/transcription-requests` — Idempotently request low-priority transcript generation for this episode. - read_markdown: `GET https://stenobird.com/podcast/talking-out-your-glass-podcast-558080/beth-lipman-tracking-deep-time-and-the-anthropocene-through-still-life-assemblage.md` — Read the agent-friendly Markdown representation of this episode resource. A page view does not enqueue transcription. Agents should invoke `request_transcript` explicitly when they need this episode processed. ## Transcript Full transcripts are not published on public pages unless there is a clear rights basis.