# Sean Patrick Thomas Page: https://stenobird.com/podcast/shawn-stockman-s-on-that-note-7236262/sean-patrick-thomas Text version: https://stenobird.com/podcast/shawn-stockman-s-on-that-note-7236262/sean-patrick-thomas.md Podcast: [Shawn Stockman's On That Note](https://stenobird.com/podcast/shawn-stockman-s-on-that-note-7236262) Published: 2026-04-01T11:00:00+00:00 Episode link: https://pscrb.fm/rss/p/mgln.ai/e/1468/tracking.swap.fm/track/GShUDppPATUMmMhYllkv/traffic.megaphone.fm/CSSL7388700829.mp3?updated=1774847283 Audio file: https://pscrb.fm/rss/p/mgln.ai/e/1468/tracking.swap.fm/track/GShUDppPATUMmMhYllkv/traffic.megaphone.fm/CSSL7388700829.mp3?updated=1774847283 Processing state: not_requested JSON: https://stenobird.com/v1/public/podcasts/shawn-stockman-s-on-that-note-7236262/episodes/sean-patrick-thomas Duration seconds: 4880 ## Resource Sean Patrick Thomas joins Shawn Stockman to break down Save the Last Dance, Barbershop, Cruel Intentions, and the career that made him one of the defining Black male leads of the early 2000s. From dance films and romantic dramas to Gen V and The Boys, Sean reflects on the roles that shaped his path, his Guyanese roots and musical influences, and what it meant to break through in Hollywood during a pivotal era. It’s a thoughtful conversation about identity, timing, legacy, and choosing work that actually lasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices ## Actions - request_transcript: `POST https://stenobird.com/v1/public/podcasts/shawn-stockman-s-on-that-note-7236262/episodes/sean-patrick-thomas/transcription-requests` — Idempotently request low-priority transcript generation for this episode. - read_markdown: `GET https://stenobird.com/podcast/shawn-stockman-s-on-that-note-7236262/sean-patrick-thomas.md` — Read the agent-friendly Markdown representation of this episode resource. A page view does not enqueue transcription. Agents should invoke `request_transcript` explicitly when they need this episode processed. ## Transcript Full transcripts are not published on public pages unless there is a clear rights basis.