# Chandler Levack Page: https://stenobird.com/podcast/living-to-write-5781823/chandler-levack Text version: https://stenobird.com/podcast/living-to-write-5781823/chandler-levack.md Podcast: [Living To Write](https://stenobird.com/podcast/living-to-write-5781823) Published: 2026-04-20T05:00:00+00:00 Episode link: https://rss.com/podcasts/livingforwriting-storysummit/2747573 Audio file: https://content.rss.com/episodes/164384/2747573/livingforwriting-storysummit/2026_04_19_19_13_38_1a962c92-d5b2-424c-8332-512687c8dec7.mp3 Processing state: not_requested JSON: https://stenobird.com/v1/public/podcasts/living-to-write-5781823/episodes/chandler-levack Duration seconds: 3031 ## Resource Canadian writer-director Chandler Levack sits down with Brian and Bailey for a deep dive into how and why she writes. How did her music journalism experiences inform her screenwriting? How did she make her first film without a studio deal? How does she deconstruct her favourite screenplays when building her own scenes? Why are rom-com tropes so worthy of our love and respect? How do filmmaking careers really get started these days? Why was she so excited to get a call from Adam Sandler? And how could her parents boost her career by faking an illness? With both of her newest projects dropping the very same day— Mile End Kicks in theaters, and Roommates on Netflix—Chandler has plenty to share, and she doesn’t hold back. Produced by Brian Landwehr and Bailey Patterson ## Actions - request_transcript: `POST https://stenobird.com/v1/public/podcasts/living-to-write-5781823/episodes/chandler-levack/transcription-requests` — Idempotently request low-priority transcript generation for this episode. - read_markdown: `GET https://stenobird.com/podcast/living-to-write-5781823/chandler-levack.md` — Read the agent-friendly Markdown representation of this episode resource. A page view does not enqueue transcription. Agents should invoke `request_transcript` explicitly when they need this episode processed. ## Transcript Full transcripts are not published on public pages unless there is a clear rights basis.