# TOM DOYLE + CC HUMPHREYS

Page: https://stenobird.com/podcast/house-of-crouse-2861/tom-doyle-cc-humphreys
Text version: https://stenobird.com/podcast/house-of-crouse-2861/tom-doyle-cc-humphreys.md
Podcast: [House of Crouse](https://stenobird.com/podcast/house-of-crouse-2861)
Published: 2026-06-21T11:00:12+00:00
Episode link: https://soundcloud.com/house-of-crouse/podcast-the-richard-crouse-7
Audio file: https://feeds.soundcloud.com/stream/2325670067-house-of-crouse-podcast-the-richard-crouse-7.mp3
Processing state: not_requested
JSON: https://stenobird.com/v1/public/podcasts/house-of-crouse-2861/episodes/tom-doyle-cc-humphreys
Duration seconds: 2255

## Resource

On the Saturday June 20, 2026 edition of The Richard Crouse Show we’ll meet Tom Doyle, a veteran music journalist and contributor to Mojo and Q, with books on Paul McCartney in the 1970s, Elton John, and Kate Bush. Today we talk about his latest book, “Ringo: A Fab Life.” It’s a look Starr’s career far beyond the rose-tinted ’60s, through the various addictions and career left turns in the ’70s and ’80s, before reaching the ’90s, his legacy and reputation intact. Then, playwright, actor and the internationally bestselling Canadian author of more than twenty novels, C.C. Humphreys drops by. Today we talk about his latest work of historical fiction, “The Double Life of Eve Sinclair,” a story of a female spy who must push herself to her very limits to save herself and everything she holds dear.

## Actions

- request_transcript: `POST https://stenobird.com/v1/public/podcasts/house-of-crouse-2861/episodes/tom-doyle-cc-humphreys/transcription-requests` — Idempotently request low-priority transcript generation for this episode.
- read_markdown: `GET https://stenobird.com/podcast/house-of-crouse-2861/tom-doyle-cc-humphreys.md` — Read the agent-friendly Markdown representation of this episode resource.

A page view does not enqueue transcription. Agents should invoke `request_transcript` explicitly when they need this episode processed.

## Transcript

Full transcripts are not published on public pages unless there is a clear rights basis.