Episode

EP054 - Everybody's Molting w/ Pete Muller

Podcast
Doc Walks
Published
May 21, 2026
Duration seconds
4208
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Markdown
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Summary

We duck inside for the first time ever — into the Blanton Museum of Art, because it's pouring in Austin and Pete Muller had the brilliant idea to bring our show into a gallery. Pete is the National Geographic photographer behind BUCKS HARBOR, his five-years-in-the-making debut feature about lobster fishermen in Downeast Maine, premiering at Berlinale and playing Doc Days at the Austin Film Society. We wander past Jacob Lawrence and Andrew Wyeth and Jerry Bywaters' OIL FIELD GIRLS while Pete walks us through the family that made him: his grandfather Leon Kelly (one of the pioneers of American surrealism), his art-conservator father (who once paid him to spit into a beaker so he could clean centuries-old paintings), and the paternity bombshell in his twenties that sent him chasing the question of what it actually means to be a man — first in Sudan and Palestine, then in a tiny lobstering town in Maine. We dig into BUCKS HARBOR's central metaphor (lobsters molt, men molt), the editor Noel Paul who shaped hundreds of hours into a year-through-the-seasons portrait, the Hiss Golden Messenger song that lands at the end credits, and Pete's gentle insistence that "fly on the wall" is a lie — the camera is always doing something. Plus: the most admissible form of male feeling, why art belongs to everyone (no whispering required), and the lobster-trap-maker who moonlights as a 50,000-follower TikTok drag star. DISCUSSION LINKS: BUCKS HARBOR (2026) | THE FEARLESS FREAKS (2005) | BOMBAY BEACH (2011) TIMESTAMPS: 00:00 Whispering into the Blanton — our first indoor episode 01:00 Jacob Lawrence and the Great Migration 03:00 Andrew Wyeth's SEA LEGS, painting the same people for decades 06:00 Pete's grandfather Leon Kelly — American surrealism 08:00 Crescent Fellowship, Paris 1925, Andr…