# Paul Kelly Page: https://stenobird.com/podcast/caropop-4326665/paul-kelly Text version: https://stenobird.com/podcast/caropop-4326665/paul-kelly.md Podcast: [Caropop](https://stenobird.com/podcast/caropop-4326665) Published: 2025-11-06T13:00:36+00:00 Episode link: https://rss.com/podcasts/thecaropopcast/2311684 Audio file: https://content.rss.com/episodes/81118/2311684/thecaropopcast/2025_11_06_02_59_42_560ec55d-7120-447d-be39-8bccebde31f1.mp3 Processing state: not_requested JSON: https://stenobird.com/v1/public/podcasts/caropop-4326665/episodes/paul-kelly Duration seconds: 3455 ## Resource Paul Kelly has been one of Australia’s—and the world’s—premier singer-songwriters for decades, having been introduced to American audiences with the mid-‘80s albums Gossip and Under the Sun and songs such as “Before Too Long,” “Darling It Hurts,” “Dumb Things” and “To Her Door.” His new album, Seventy , finds his voice and songwriting powers undiminished as he continues delivering deep reflections, vivid storytelling and ear worms, including “Rita Wrote a Letter,” a sequel to his 1996 song “How To Make Gravy.” Here he reflects on his life as a musician in Australia, his travels to the U.S., his evolution as a songwriter, his enjoyment of setting poetry to music, his years of being “a recreational heroin user” and what he has learned. Is songwriting his way to make sense out of being human? (Photo by Dean Podmore) ## Actions - request_transcript: `POST https://stenobird.com/v1/public/podcasts/caropop-4326665/episodes/paul-kelly/transcription-requests` — Idempotently request low-priority transcript generation for this episode. - read_markdown: `GET https://stenobird.com/podcast/caropop-4326665/paul-kelly.md` — Read the agent-friendly Markdown representation of this episode resource. A page view does not enqueue transcription. Agents should invoke `request_transcript` explicitly when they need this episode processed. ## Transcript Full transcripts are not published on public pages unless there is a clear rights basis.