# Western (2017) by Valeska Grisebach

Page: https://stenobird.com/podcast/cannesversations-6380356/western-2017-by-valeska-grisebach
Text version: https://stenobird.com/podcast/cannesversations-6380356/western-2017-by-valeska-grisebach.md
Podcast: [Cannesversations](https://stenobird.com/podcast/cannesversations-6380356)
Published: 2023-08-18T07:32:33+00:00
Episode link: https://rss.com/podcasts/cannesversations/1080704
Audio file: https://content.rss.com/episodes/208970/1080704/cannesversations/2023_09_02_11_11_32_e79cde26-cd6b-4dce-af36-ec180def7986.mp3
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JSON: https://stenobird.com/v1/public/podcasts/cannesversations-6380356/episodes/western-2017-by-valeska-grisebach
Duration seconds: 5351

## Resource

This week on Cannesversations, Eliana and Patrick discuss Valeska Grisebach’s self-described "dance with the Western genre," the 2017 Cannes Un Certain Regard film Western . Considered by some to be part of the second generation of the Berlin School and by others to be one of the distinct voices of the New Austrian Cinema, Grisebach distinguishes herself through her filmmaking approach by favoring a collaborative process with her actors in the conceptualization of scenes. Strangely enough, this does not take away from her directorial signature style, yet rather establishes her as one of the leading filmmakers of world cinema concerned with narrative realism. Western implements documentary-style filmmaking techniques to speak to the subsisting undercurrent themes of colonization and masculinity with contemporary panache and vigilant subtlety. Credit/ Resources: Marco Abel. The Counter-Cinema of the Berlin School, Camden House, 2013.Martine Floch. „Western, de Valeska Grisebach (2017).” Histoire Politique, https://doi.org/10.4000/histoirepolitique.5350 .Codruța Morari. European Auteurs Revisit the Western: Thomas Bidegain’s Les Cowboys and Valeska Grisebach’s Western. New German Critique: An Interdisciplinary Journal of German Studies. 2019;46(3 [138]):11-34. Tony Pipolo. Small Talk. “Tony Pipolo on Valeska Grisebach’s Western.” Artforum, February 2018. Peter Scheinpflug. „Western (Valeska Grisebach, 2017). Home is here the horse is, oder: Valeska Grisebachs respektvolle Demontage des Westernhelden.” Lola, Toni, Yella und die anderen: Der deutsche Film nach 1990, Brill | Fink, 2023, pp. 417-434. Victoria Steiner. „Der deutsche Weste(r)n zu Valeska Grisebachs WESTERN (2017) – unter anderem.“ Medienobservationen, pp. 1-20. Peter Verstraten “Valeska Grisebach’s Western: An…

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