# 420

Page: https://stenobird.com/podcast/blind-skeleton-s-three-tune-tuesday-6777954/420
Text version: https://stenobird.com/podcast/blind-skeleton-s-three-tune-tuesday-6777954/420.md
Podcast: [Blind Skeleton's Three Tune Tuesday](https://stenobird.com/podcast/blind-skeleton-s-three-tune-tuesday-6777954)
Published: 2026-04-21T20:25:55+00:00
Episode link: https://castopod.blindskeleton.one/@threetunetuesday/episodes/402
Audio file: https://op3.dev/e,pg=0c88012f-1bd8-11f1-84f8-66fdec9fd396/castopod.blindskeleton.one/audio/@threetunetuesday/402.mp3
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JSON: https://stenobird.com/v1/public/podcasts/blind-skeleton-s-three-tune-tuesday-6777954/episodes/420
Duration seconds: 2731

## Resource

Three Tune Tuesday marks 4/20 the only way it knows how: by reaching into the pre-1926 catalog and finding three recordings whose names, in combination, do all the work without saying anything at all. We open under the canopy — Renée Chemet’s violin drifting through Francis Thomé’s pastoral miniature “Under the Leaves,” recorded the day after 4/20 in 1924. Then the Victor Military Band crashes in with a one-step medley from Rudolf Friml’s Broadway smash High Jinks, whose plot concerns patients of a Dr. Thorne who take a mysterious Tibetan elixir that causes them to laugh and fall in love — and the show’s best-loved song is the one where they try to describe how it feels. We close with “Some Smoke,” a 1913 dance number by Sigmund Romberg, one year before he’d become Broadway’s most prolific house composer. Plausible deniability maintained throughout. Happy 4/20.

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## Transcript

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